- Drunk Business Advice
- Posts
- 𤦠I screwed up this newsletter
𤦠I screwed up this newsletter
Whoops
The moment this email arrived in your inbox today, I was on stage at the Times Square Hilton telling a room full of startup founders the story of how I f*cked up the launchā¦
ā¦of this very newsletter.
I know.
Very meta.
So I thought today would be a good time to tell yāall about that.
š»THE DRUNK BUSINESS ADVICE
š Parties can be the best places to make meaningful connections and move your business forward.
š But I guarantee youāre screwing it up.
And now ā the story behind why this advice matters.šļø
F*ck-up #1
Drunk Business Advice started as a podcast.
The reason I liked the idea of a podcast is because I wanted to have unfiltered conversations with badass business leaders about the un-sexy stories behind their success.
And I still think itās a solid concept.
Butā
It was a horrible idea. š¤¦
Whoops. Source: Tenor
Why?
A few reasonsā¦
ā I know nothing about podcasting. I donāt even listen to podcasts.
ā I suck at marketing, and you have to be a killer marketer to achieve any remotely meaningful traction with a podcast.
ā Podcasting is a broadcast medium. You donāt āownā your audience, and itās hugely difficult to create a conversation with them, which means you canāt collect early feedback and iterate.
I recorded four episodes (with four brilliant guests), and had three other interviews lined up, when I realized that my plan was deeply flawed.
The conversations were killer, but I simply wasnāt qualified to cold-launch a podcast.
None of the episodes were ever published, and I went back to the drawing board to begin crafting a plan to launch Drunk Business Advice as a newsletter.
I thought I was soooo smart
In my second attempt to launch Drunk Business Advice (this time, as a newsletter instead of a podcast), I did two very smart things that most solo-operators neglect:
I got myself an accountability partner
And I committed to a deadline
And not only did I do those things ā I f*cking nailed them.
š The first smart thing I did was get the BEST accountability partner imaginable.
Rob Capili is probably the most badass person I know. Heās an accomplished entrepreneur, software engineer, filmmaker, writer, salsa dancer, and even has a black belt in Jiu Jitsu.
He had the perfect blend of skills to provide me with constructive creative feedback, while also keeping me on track with my deadlines, business goals, and tech stack.
I cannot stress this enough ā surrounding yourself with talented people who care about your goals as much as you do is the universal cheat-code to life.
And without Rob, I would have been as productive as a dizzy squirrel.
Me ā trying to reach my goals without Rob. Source: Giphy
š The second smart thing I did was tie my launch date to a major industry conference.
Not only did this make my launch date rigid (although Rob probably would have bashed my head into a wall if I had tried to move it anyway), the conference itself was an opportunity to nail down some partnerships and generate some PR buzzā
Which are both important for gaining early traction when youāre launching a media product without an existing audience (or heaps of cash to throw into advertising).
My plan was to approach major publishers at this conference who had similar audiences to the one I was trying to build for Drunk Business Advice, and offer to perform free editorial work for them in exchange for a plug for my newsletter.
You can pat me on the back. It was a great plan.
I had even purchased a premium ticket to this conference so that I would be sure to have the opportunity to connect with the people I wanted to partner with.
Which leads us toā¦
F*ck-up #2
I stuck to my deadlines, and published my first issue of Drunk Business Advice on April 25 ā one week before the conference.

The evening before the conference, there was a cocktail party and dinner for premium ticket-holders. So I hopped on a call with Rob that afternoon for a pep talk.
He asked me about my goals for the evening, and I told him who I was planning to try to chat with that night, and what I hoped to achieve through those conversations.
Then he asked me a question that made me immediately uncomfortable:
āSo ā what are you planning to actually say?ā
Um. I dunno. I was just planning to tell them about my cool new newsletter, and try to get them to let me write some editorial for their publications.
Yāall ā Rob already has āresting bitch faceā, so when heās truly annoyed, his āfrustrated lookā could melt steel.
He repeated:
āOk, but what words are you actually going to use? Pretend Iām one of the publishers you want to meet. Weāve just bumped into each other at the cocktail party. Go.ā
Shit shit shit shit shit shit shit.
Rob to the rescue
After uncovering the fact that I was utterly unprepared to talk about the amazing newsletter I had just launched, Rob dipped into his expansive skill set to help me out.
He told me about a technique he had used for pitching screenplays.
Itās sort of like an elevator pitch, but an elevator pitch has a major flawā
After youāve delivered it, if your conversation partner is interested in hearing more, one of two things happens:
You freeze up, and donāt know what to say next.
Or you word-vomit jargon all over the person, digging up every detail imaginable, until theyāre bolting away from you.
Please donāt go. I havenāt told you yet how weāre democratizing something that was never democratized before. Source: Giphy
Neither of these things underpin an enjoyable party conversation.
But with Robās screenplay pitch technique, you strategically reveal a little bit at a time, looking for positive signals from the other person that theyāre interested in hearing more.
Ya know ā like an actual conversation.
This makes so much sense for Hollywood, where (I imagine) far more business interactions take place at parties and events than āformalā meetings where youād be pitching your screenplay in an office.
Hereās how it works:
š Imagine someone at a party asks, āSo what are you working on?ā.
š You then respond with a super short hook.
š In my case, all I needed to start with was āI publish a newsletter called Drunk Business Advice.ā
š After you say your short hook, shut up, and give your conversation partner the opportunity to express interest in hearing more ā or not.
š But if they do want to hear more, donāt freeze. Donāt spew word-vomit.
š Just give them a little bit more.
š So for me, that meant something like, āDrunk Business Advice tells unfiltered stories about the world of work, like two old colleagues, sitting in a bar.ā
š Then shut up again, and wait for your conversation partner to signal that theyāre still interested.
And so onā¦
I wish I could tell you that in the couple of short hours I had between learning about this technique, and attending the event, I was able to carefully craft the casual and concise sentences you see above.
Um. No.
Iām reminded of the Mark Twain quote:
āI didn't have time to write a short letter, so I wrote a long one instead."
Mastering conciseness takes a shit-ton of effort.
But even though my words werenāt as concise and curiosity-inducing as I would have liked them to be, my last-minute pep talk with Rob did remind me to do something very important that night.
š Speak a little bit, then shut up.
And at least that made me likable, which eventually led to some fantastic opportunities.
As long as I wasnāt acting like this guy, it was a win. Source: Tenor
It blows my mind
When you stop to think about it, itās incredible how few people are truly prepared to discuss what theyāre working on in a social setting.
If weāre invited to āpitchā somewhere, we:
Agonize over every slide in our deck
Write and re-write and re-write our script
And rehearse like crazy
But, in the same way that Hollywood business gets done at parties and premiers, pretty much every other kind of business gets done at conferences and networking events.
And those conversational opportunities are dramatically more numerous than āformalā pitch opportunities.
So why arenāt founders and business leaders prepared for them?
I began putting together a structure for how entrepreneurs can craft a āconversation pitchā, and introduced it at some workshops I was invited to facilitate last year.
It went pretty damn well.
Then I added it to the curriculum for Rebel Scribes.
And now, Iāve crafted a short e-course, so everyone else can master this technique, too.
(At the very least, everyone collectively getting better at conversations will make events far more enjoyable.)
Iām excited to launch the e-course on March 10th, and yāall will get it for $49 $29 if you pre-order before then with coupon code: DRUNK
Thatās my pitch. š
Cheers! š»
-Kristin :-)